Monday Breakfast Blend – Women Art Revolution presents:
Today’s morning musical adventure goes out to Portland, sharing music across time and genres.
Northwest Chamber Orchestra of Seattle, “Solemn Speech and Discussion, Op. 11”
from Frankel: Music for Strings
cpo - 1994
Jonathan Griffith, Voices of Color & Lessie Williams, “The Crucifixion”
WordText Music - 2006
Lessie Williams, gospel singer .. Gospel remains one of the predominantly Black art forms in the American Cultural landscape, as described by Santi Elijah Holley in her 2018 story in Level publication.
Tony Furtado, “Miles Alone”
from Tony Furtado Band
W.A.R.? - What Are Records? - 2001
Tony is a bluegrass musician, moving into progressive bluegrass.
Tarik Banzi, Al-Andalus Ensemble, “Vision”
from Vision
unknown - 2002
Al-Andalus Ensemble with Tarik Banzi - world fusion
Chervona, “Blondes Do Not Turn Me On (Live)”
from Roots & Branches, Vol. 2: Live from the 2010 Northwest Folklife Festival
Northwest Folklife Recordings - 2010
Sallie Ford & The Sound Outside, “Against the Law”
from Dirty Radio (Deluxe Version)
Partisan Records - 2011
Sally Ford & The Sound Outside, “Nightmares”
from Dirty Radio (Delux Version)
Partisan Records - 2011
The Slants, “When the World's Ablaze”
from The Slants - EP
The Slants - 2019
first and only All-Asian American dance rock band
The Body, “Ten Times a Day, Every Day, A Stranger”
from I Have Fought Against It, But I Can’t Any Longer.
Thrill Jockey Records - 2018
The Body, “The West Has Failed”
from I Have Fought Against It, But I Can’t Any Longer.
Thrill Jockey Records - 2018
Carol Olson Monday Breakfast Blend – Women Art Revolution August 3rd, 2020
Posted In: Music Shows
Tags: carol olson, mondaymorningbreakfastblend, portland