Banji Kaicho presents:
Closing out November on a high note, we celebrate the genius, relentless dedication, and profound influence of Japanese jazz pianist Masahiko Satoh.
Since his debut in Akira Miyazawa’s band in 1962, Satoh has crafted a career that stands among the most remarkable in Japanese jazz history. His late ’60s and early ‘70s work is especially untouchable—introducing electronic elements into free jazz, leading and arranging experimental big bands, igniting fusion projects of all kinds, and composing iconic scores including Belladonna of Sadness and themes for Japanese TV shows. During this period, everything he undertook transformed into a now highly sought-after masterpiece. Even after five decades, Satoh continues to be a versatile and forward-thinking artist, consistently shaping and expanding his enduring legacy.
Capturing everything he’s contributed to Japanese jazz is nearly impossible, but today’s show offers a glimpse into his immense artistry. For Satoh, it’s truly a boundless world to explore. 1PM on @wrir97.3fm and wrir.org 🧠🎹
Photo from “JAZZ-21″project Web Page (http://kanazawajazz.org/)
Albert Mangelsdorff, Masahiko Sato, Peter Warren, Allen Blairman, “Voices, Noises, Lungs 'N' Tongues Strings And Things”
from Spontaneous
Enja Records - 1972
Masahiko Satoh, “Meteor インストルメンタル編 (Instrumental Version)”
from イメージテーマ メテオ = Image Theme Meteor
CBS/Sony - 1979
Masahiko Satoh, “Corona Wa Shichi Jifu Roku Man Ni Hyaku”
from Magnolia No Ki
Nippon Columbia Co., Ltd./NIPPONOPHONE - 1977
Electro Keyboard Orchestra, “The African Dawn”
from Electro Keyboard Orchestra
Nippon Columbia Co., Ltd./NIPPONOPHONE - 1975
Masahiko Satoh, “Somethin' Goin On”
from Bridge Over Troubled Water
Nippon Columbia Co., Ltd./NIPPONOPHONE - 1971
Masahiko Satoh, “千恵・愛と真実 (雨の日の罠) = Chie, Ai To Shijitsu (Ame No Hi No Wana)”
from Kayobi No Onna = [佐藤允彦女を奏う - 火曜日の女]
Toho Records - 1970
Freddie J Banji Kaicho November 25th, 2024
Posted In: Music Shows