Monday Breakfast Blend – Women Art Revolution presents:
Starting out the new year with WAR: Women Art Revolution from early composers to instrumentalists. Women still experience the same barriers from medieval times to today.
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Sequentia, “Processional of Embodied Souls”
from Hildegard von Bingen/Ordo Virtutum
Deutsche Harmonia Mundi - 1998
Sequentia, “Prologue: Qui sunt hi, ut sub nubes?”
from Hildegard von Bingen/Ordo Virtutum
Deutsche Harmonia Mundi - 1998
Sequentia, “Scene 1: O nos peregrine sumus”
from Hildegard von Bingen/Ordo Virtutum
Deutsche Harmonia Mundi - 1998
Noël Akchoté, “O notte, o cielo, o mar (Arr. for Guitar)”
from Maddalena Casulana: Madrigali (Arr. for Guitar)
Noël Akchoté - 2015
Noël Akchoté, “Morte che voi (Arr. for Guitar)”
from Maddalena Casulana: Madrigali (Arr. for Guitar)
Noël Akchoté - 2015
Noël Akchoté, “Morir non puo il mio cuore (Arr. for Guitar)”
from Maddalena Casulana: Madrigali (Arr. for Guitar)
Noël Akchoté - 2015
Noël Akchoté, “Il vostro dipartir (Arr. for Guitar)”
from Maddalena Casulana: Madrigali (Arr. for Guitar)
Noël Akchoté - 2015
Noël Akchoté, “Stavasi il mio bel sol (Arr. for Guitar)”
from Maddalena Casulana: Madrigali (Arr. for Guitar)
Noël Akchoté - 2015
Noël Akchoté, “Lasso ch'il crederia (Arr. for Guitar)”
from Maddalena Casulana: Madrigali (Arr. for Guitar)
Noël Akchoté - 2015
Les Cornets Noirs, “Caterina Assandra: Motetti a Due & Tre Voci ... Aggiontovi una Canzon Francesa a 4. ...del Rever. Don Benedetto Re. Mailand 1609: Canzone a 4. Accomodata a Suonare a Duoi Chori”
from Echo & Risposta – Virtuoso Instrumental Music from the Galleries of the Abbey Church of Muri
audite Musikproduktion - 2009
El Mundo, Richard Savino, Céline Ricci & Lisa Grodin, “Il primo libro delle musiche: Chi desia di saper”
from What Artemisia Heard: Music and Art from the Time of Caravaggio & Gentileschi
Sono Luminus - 2015
Richard Savino & Jennifer Ellis Kampani, “Il primo libro delle musiche: Lasciatemi qui solo”
from What Artemisia Heard: Music and Art from the Time of Caravaggio & Gentileschi
Sono Luminus - 2015
Anne Sofie von Otter, Ensemble Cappella Mediterranea & Leonardo Garcia Alarcon, “La Calisto, Act III Scene VII: Vivo per te”
from Sogno barocco
naïve classique - 2012
La Rêveuse & Benjamin Perrot, “Sonata IV pour violon, viole obligée et basse-continue: I. [Grave] – Presto – Adagio”
from Élisabeth Jacquet de La Guerre: Sonates pour violon; viole obligée et basse-continue
Mirare - 2010
La Rêveuse, “Suonata 2da a violino solo e viola di gamba obligata con organo: II. Allegro – Bemol”
from Élisabeth Jacquet de La Guerre: Sonates pour violon; viole obligée et basse-continue
Mirare - 2010
Maria Szymanowska Piano Duo, “Grand valse in F Major”
from Forgotten Polish Piano Music for 4 Hands
DUX - 2018
Christine Harnisch, “Étude in A-Flat Major, WoO 4”
from Clara Schumann - Great Women Composers in the Classical History
Warner Music Group - X5 Music Group - 2021
Christine Harnisch, “Soirées Musicales, Op. 6: No. 1, Toccatina”
from Clara Schumann - Great Women Composers in the Classical History
Warner Music Group - X5 Music Group - 2021
Katherine Hoover, “Sonata No. 2 in G Major: I. Allegro”
from Kokopeli: Katherine Hoover Plays
Parnassus - 2013
Ruth Brown, “Mama He Treats Your Daughter Mean”
from Miss Rhythm - Greatest Hits and More
Rhino Atlantic - 2005
Shirley Horn, “Hit the Road Jack”
from Ultimate Shirley Horn ((Selected by Diana Krall))
Verve - 1999
Kaki King, “Anthem for the Earnest”
from Everybody Glows: B-Sides & Rarities
Short Stuff Records - 2014
Esperanza Spalding, “Funk the Fear”
from Emily's D+Evolution (Deluxe Edition)
Concord Records - 2016
Carol Olson Monday Breakfast Blend – Women Art Revolution January 3rd, 2022
Posted In: Music Shows